3 (album Shakespears Sister)

#3 – trzeci album Shakespears Sister. Po wydaniu i sukcesie poprzedniego albumu Hormonally Yours, Marcella Detroit opuściła zespół. Dlatego też #3 można uważać za solowy album Siobhan Fahey. Artystka chciała wydać album pod swoim nazwiskiem, jednak wytwórnia London Records zdecydowała wydać album pod szyldem Shakespears Sister

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Materiał na album został stworzony przez Siobhan, jej byłego męża Dave’a Stewarta i nowych członków zespołu. Album został wyprodukowany przez Siobhan, Dave Stewart oraz producentów Hormonally Yours (Alan Moulder, Andy Wright i Flood)

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. Pod względem muzycznym była bardziej rockowa od poprzednich.
Pierwszy singel z płyty “I Can Drive” osiągnął 30. miejsce na brytyjskiej liście singli, jednak był uznany za porażkę przez wytwórnię, która w efekcie zawiesiła wydanie albumu.
Siobhan po latach udało się zdobyć prawa do płyty i w 2004 roku wydała album przez swoją stronę internetową.
W związku z odnowionym zainteresowaniem zespołem

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, w tym samym roku London Records wydało zbiór największych hitów zespołu na CD/DVD

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Junkyard

Junkyard – wydany w 1982 roku album zespołu The Birthday Party. Większa część tej płyty została nagrana przy pomocy Tonego Cohena w Armstrong Audio Visual (A

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.) Studio w Melbourne pomiędzy grudniem 1981 a styczniem 1982. Resztę nagrano w londyńskim Matrix Studio z udziałem producenta punkowego Richarda Mazdy w maju 1982. Mazda poprzednio pracował z takimi zespołami jak ATV oraz The Fall, co przyniosło mu uznanie w branży muzycznej. Późniejsze wydania CD tej płyty zawierają dodatkowo singel “Release the Bats” nagrany w londyńskim Townhouse Studio z pomocą Nicka Launaya w kwietniu 1981.
Ten album jest w pewnym sensie nagraniem przejściowy z różnych powodów. Wczesnym 1982, Tracy Pew (basista zespołu) został skazany na 2

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,5 miesiąca pracy w zakładzie karnym w Australii, i na razie Barry Adamson został jego zastępcą w nagrywaniu płyty. Oprócz tego

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, wielu członków zespołu było całkowicie “pod wpływem” podczas nagrywania, dlatego też wynikiem tego był album pełen “dźwięku i furii”
Okładka została zaprojektowana przez Eda Rotha i zawiera jego najsłynniejszą postać Szczura Finka.

Squeeze out

Squeeze out or freeze-out is a term referring to the compulsory acquisition of the stakes of a small group of shareholders from a joint-stock company by means of cash compensation.
This technique allows one or more shareholders who collectively hold a majority of shares in a corporation to gain ownership of remaining shares in that corporation. The majority shareholders incorporate a second corporation

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, which initiates a merger with the original corporation. The shareholders using this technique are then in a position to dictate the plan of merger. They force the minority stockholders in the original corporation to accept a cash payment for their shares, effectively “freezing them out” of the resulting company.

Although a LBO is an effective tool for a group of investors to use to purchase a company, it is less well suited to the case of one company acquiring another. An alternative is the freeze-out merger; the Laws on tender offers allow the acquiring company to freeze existing shareholders out of the gains from merging by forcing non-tendering shareholders to sell their shares for the tender offer price.
To complete freeze-out merger

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, the acquiring company first creates a new corporation, which it owns and controls. The acquiring corporation then makes a tender offer at an amount slightly higher than the current target corporation’ stock price. If the tender offer succeeds, the acquirer gains control of the target and merges its assets into the new subsidiary corporation. In effect, the non-tendering shareholders lose their shares because the target corporation no longer exists. In compensation, non tendering shareholders get their right to receive the tender offer price for their shares. The bidder, in essence, gets complete ownership of the target for the tender offer price. Because the value the non-tendering shareholders receive for their shares is equal to the tender price (which is more than the premerger stock price), the law recognizes it as fair value and non-tendering shareholders have no legal recourse. Under these circumstances, existing shareholders will tender their stock, reasoning that there is no benefit to holding out: if the tender offer succeeds, they get the tender price anyway; if they hold out, they risk jeopardizing the deal and forgoing the small gain. Hence the acquirer is able to capture almost all the value added from the merger and, as in the leveraged buyout, is able to effectively eliminate the free rider problem. This freeze-out tender offer has a significant advantage over an LBO because an acquiring corporation need not make an all-cash tender offer. Instead, it can use shares of its own stock to pay for the acquisition. In this case, the bidder offers to exchange each shareholder’s stock in the target for stock in the acquiring company. As long as the exchange rate is set so that the value in the acquirer’s stock exceeds the pre-merger market value of the target-company stock, the non-tendering shareholders will receive fair value for their shares and will have no legal recourse.
The legal community has criticized the present rules with regard to freeze-out mergers as being biased against the interests of the minority shareholders. For example, if a gain in stock value is anticipated by the majority, they can deprive the frozen-out minority of its share of those gains.
In Germany, a pool of shareholders owning at least 95% of a company’s shares has the right to “squeeze out” the remaining minority of shareholders by paying them an adequate compensation. This procedure is based on the Securities Acquisition and Takeover Act (ger.’Wertpapiererwerbs- und Übernahmegesetz, WpÜG). An alternative procedure is governed by§§ 327a – 327f of the German Stock Corporation Act (ger. Aktiengesetz, AktG), valid since January 1.st 2002
For the first time in German history, this law provided a mandatory legal framework for takeovers, replacing the former voluntary takeover code (ger. Übernahmekodex). Although it has been asserted that the law does not break the German constitution it has courted the resentment of many small investors who consider it to be the legalization of expropriation.
The criteria for a squeeze-out are set out in § 327a AktG. The exclusion of minority shareholders of the company requires: a corporation or a partnership limited by shares (KGaA) as affected society (1), a major shareholder as defined § 327a AktG (2), a “request” from him, the company’s shareholders may decide to transfer the shares of minority shareholders on him (3). This decision must be taken at a meeting in this regard (4) and provide a reasonable cash compensation for minority shareholders (5).
The decision to enforce a squeeze out must be made by holding a vote at the general meeting; as the major party already commands the vast majority of all votes

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, this usually is a mere formality. The compensation value is determined by the company’s economic situation at the date of the general meeting, the minimum compensation being the share’s average stock exchange price during the past three months.
Expelled shareholders can appeal against the squeeze out according to § 243 AktG. Also, according to this section, some reasons, such as inadequate compensation, are not sufficient to inhibit the squeeze out. Even while the rescission proceedings are still running the main shareholder has the right to register in the Commercial Registry if he meets the preconditions defined in §§ 327e sec. 2, § 319 Abs. 5, 6 AktG; by doing so an approval process is initiated and all shares held by minor shareholders devolve to him.
Under UK law, section 979 of the Companies Act 2006 is the relevant “squeeze out” provision. It gives a takeover bidder who has already acquired 90% of a company’s shares the right to compulsorily buy out the remaining shareholders. Conversely section 983 (the “sell out” provision) allows minority shareholders to insist their stakes are bought out. (see Companies Act 2006)
In the U.S. squeeze-outs are governed by State laws. E.g. 8 Delaware Code § 253 permits a parent corporation owning at least 90% of the stock of a subsidiary to merge with that subsidiary, and to pay off in cash the minority shareholders. The consent of the minority shareholders is not required. They are merely entitled to receive fair value for their shares. This is in contrast to freeze-outs, where the minority interest is unable to liquidate their investment.

2005 Indonesian embassy bioterrorism hoax

The 2005 Indonesian embassy bioterrorism hoax occurred when Indonesian ambassador to Australia Imron Cotan received a suspect letter addressed to him at the Indonesian Embassy in Canberra, Australia, on June 1, 2005. The suspect letter later turned out to be harmless.

The letter was opened by his personal assistant and contained white bacterial powder and a threatening message . Prime Minister John Howard made an apology to Indonesia after the incident, describing the incident as “a reckless act of indifference to human life”.
The identity of the powder and whether it posed any health risk was initially unclear; initial testing of the powder detected traces of a “biological agent”, but it was later found to be nontoxic. Approximately 50 staff members were quarantined for 12 hours. The embassy remained closed for several days following the incident.
The act is suspected to be related to the Schapelle Corby trial held at the time in Bali, Indonesia. Other Indonesian Diplomatic missions around Australia have reported receiving threatening emails and letters since the trial began

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. A bullet was sent in an envelope to the Indonesia consulate in Perth.
On June 3, 2005 a section of Parliament House was sealed off when the discovery of a suspicious package delivered to Foreign Minister Alexander Downer was discovered in the car park. The suspect package was taken away for analysis and no evacuations occurred. The analysis has since shown the contents to be harmless but forensic tests are continuing to establish if there are any links between this package and the earlier one sent to the Indonesian embassy.
Various news reports

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, including those from SBS have reported that the enclosed letter was written in Indonesian, with a high degree of competence. However, this has been contradicted in other reports, see links below.
Coordinates: 35°18′14″S 149°07′00″E / 35.303932°S 149

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Terrell Buckley

Douglas Terrell Buckley (born June 7, 1971) is a former American football cornerback in the National Football League and current college assistant coach. He also played professional baseball for the Mobile BaySharks in the Texas-Louisiana League.

Buckley was a two-year starter and three-year letterman at Florida State (1989–91), and left as the school’s all-time leader in interceptions (21) and interception return yards (501). His career interception yardage total of 501 is an NCAA record also tied school records for touchdowns off interception returns (four) and punt returns (three). He was named first-team All-American and won Jim Thorpe Award, given annually to nation’s top cornerback, as a junior. He led the nation with 12 interceptions for 238 yards and two touchdowns. He was named second-team All-American by Associated Press, The Sporting News and The Football News as a junior. Had six interceptions with two returned for touchdowns. He finished 7th in the Heisman voting in 1991

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. He played two years of varsity baseball and was a sprinter on the outdoor track team for one year. He was drafted by the Green Bay Packers in the NFL draft.
Buckley is the only player with 50+ interceptions to never make a pro bowl. In a game against Cincinnati in 1992, his rookie season, Buckley set what remains a current record as the youngest player to return a punt for a touchdown in NFL history (7008671781600000000♠21 years

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, 105 days). That was his only punt return for a touchdown of his career. In 1996, he led the league in interception return yards with 164.
He had at least one interception in 13 consecutive seasons. In the 2001 AFC Championship game against the Pittsburgh Steelers, Buckley had an intereception in the 24-17 win

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. He earned a Super Bowl ring 2 weeks later in the win over the St. Louis Rams.
Finally getting his first on-the-field coaching position, Buckley was hired by his collegiate head coach’s son, Terry Bowden, at the University of Akron in January 2012 to coach cornerbacks

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. This reunited him with Coach Chuck Amato and with Coach Todd Stroud—who he played for, and coached with at FSU.
After two seasons at Akron, he was hired as the cornerbacks coach at the University of Louisville in January 2014.
On January 7, 2016 Buckley was hired as the safeties coach at Mississippi State University
Buckley has three daughters, Sherrell, Brianna and Britney. He majored in Theater with a minor in Political Science, and played baseball in the Atlanta Braves organization prior to reporting to GB training camp in July 1994. He is the son of Eddie Buckley Sr of Columbia, Ms and Laura Buckley of Pascagoula, Ms. He was a distant cousin of former Chicago Bears RB Walter Payton. His hobbies include baseball, basketball and golf. Has participated in events benefiting the Make-A-Wish Foundation and the Cystic Fibrosis Foundation. He has worked on behalf of the national “Feed the Children” campaign. He assisted in building a house in Little Haiti for Habitat for Humanity during the 1999 offseason. Sports Talk radio host Jim Rome refers to Buckley as T-Buck and credits him as one of the The Jungle’s first guests who appeared consistently on the program. Rome credits Buckley as the inventor of the Lambeau Leap, based on an interview that Buckley gave.

José Antonio Etxebarrieta

Aidez à ajouter des liens en plaçant le code [[José Antonio Etxebarrieta]] dans les articles relatifs au sujet.
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José Antonio Etxebarrieta Ortiz, (également José Antonio Echebarrieta Ortiz) (Bilbao, 1940 – 1973) est un avocat espagnol d’origine basque, et dirigeant d’ETA, frère de Txabi Etxebarrieta

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Militant d’EGI, il est arrêté pour la première fois en 1958 alors qu’il distribuait des tracts à Begoña et emprisonné deux mois à Larrinaga. Une fois libéré, il va à Paris, où il a des confrontations dures avec la direction du Parti Nationaliste Basque, ce qui le pousse vers l’ETA.
L’été de 1963 il tombe gravement malade et on diagnostique une lomielitis de la colonne, une maladie rare provoquée par l’inflammation de la moelle épinière. Complètement paralysé pendant trois ans, il passe de longues saisons dans un sanatorium, où il reçoit des visites fréquentes de son frère Txabi. Pendant la convalescence il lit des classiques marxistes

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, dont Lénine

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En 1966 il commence à marcher avec des béquilles et prépare le Rapport Txatarra pour la V Assemblée, qui se convertira en base argumentaire pour expulser de l’ETA dans le secteur ce qui deviendra par la suite le Mouvement Communiste d’Euskadi.
Au sein d’ETA il s’est chargé de la rédaction de la publication Zutik. À l’occasion du procès de Burgos il s’est chargé de la défense de Xabier Izko de la Iglesia, accusé d’être l’auteur matériel de l’assassinat de Melitón Manzanas,. En 48 heures il rédige les 80 feuillets d’arguments contre l’accusation qui pesait sur Izko. Il collaborera postérieurement avec Gisèle Halimi dans l’élaboration du célèbre livre sur le procès.
En mars 1973, se produit une aggravation soudaine de sa maladie. Malgré cela, il prend part à la défense des militants d’ETA devant un Conseil de Guerre. Il est mort le 3 avril 1973.

William Carus Wilson

William Carus Wilson (7 July 1791 – 30 December 1859) was an English churchman and the founder and editor of the long-lived monthly The Children’s Friend. He was the inspiration for Mr Brocklehurst, the autocratic head of Lowood School

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, depicted by Charlotte Brontë in her 1847 novel Jane Eyre.
He was born at Heversham as William Carus

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. While he was a child his father (also called William) inherited an estate at Casterton, near Kirkby Lonsdale in Westmorland and took on the surname Wilson (which was a condition of the bequest). His father served as one of Cockermouth’s two MPs in the 1820s.
He was educated at Trinity College, Cambridge, graduating B.A. in 1815. Although refused orders that year owing to his excessive Calvinism, he was ordained the following year and returned to the Lune valley, becoming Vicar of Tunstall, a small village in Lancashire. Some years later he became Rector of Whittington on the other side of the River Lune and was succeeded by Henry Currer Wilson at Tunstall. He founded Holy Trinity Church, Casterton, in the early 1830s, donating the land on which it stands. He was also chaplain to The Prince Augustus Frederick.

In 1823 he established at Cowan Bridge the Clergy Daughters’ School for low-cost education of daughters of poorer members of the clergy. This school later moved to Casterton where it continued as the independent Casterton School, and subsequently (from 2013) the preparatory department of Sedbergh School. One of Sedbergh School’s three girls houses is named Carus after Carus Wilson, following the arrival of pupils from Casterton Senior School. The author Charlotte Brontë was a pupil at Cowan Bridge in 1824/25 and attended Sunday services at Tunstall church. She featured the school in Jane Eyre as “Lowood”. She based her character Robert Brocklehurst on Carus Wilson. Brocklehurst is presented as a hypocrite:
In the year of Jane Eyre’s publication Carus Wilson reportedly took legal advice with a view to suing for defamation, but desisted on receiving a letter of explanation and apology from the author. However, the novel was published as the work of the pseudonymous Currer Bell, and it is not clear how many of its first readers of the book would have been in a position to make the connection between Lowood and Carus Wilson’s foundation. In a letter to her publisher W.S. Williams, Charlotte describes overhearing an elderly clergyman talk about reading Jane Eyre and saying “Why, they have got Cowan Bridge School, and Mr. Wilson here, I declare! and Miss Evans.” She says, “He had known them all. I wondered whether he would recognise the portraits, and was gratified to find that he did, and that, moreover, he pronounced them faithful and just. He said, too, that Mr. Wilson ‘deserved the chastisement he had got.'” The connection between Lowood and the Clergy Daughters’ School was made explicit in The Life of Charlotte Brontë published in 1857 after Brontë’s death. The following year Carus-Wilson’s son William Wilson Carus-Wilson wrote his 20-page Refutation of the Statements in ‘The Life of Charlotte Bronte’ published by Joseph Whereat at the Gazette Office in Weston-super-Mare.
Carus Wilson established and edited The Friendly Visitor (in 1819) and most notably The Children’s Friend, “the first penny periodicals that ever appeared in England of the kind”. The latter, which he founded in 1824, was to survive him by some seventy years. Carus Wilson addressed the high mortality rate and perceived sinfulness of his youthful readers, often describing the deaths of pious children as examples to emulate.
He was the author of a number of other religious works, including copies of his sermons. He even published on the subject of architecture: given that he included elevations it has been suggested that he had some specialist help from George Webster, the presumed architect of the church at Casterton.
As the eldest surviving child, he late in life inherited the family estates, following his father’s death in 1851.
An article about Carus Wilson which appeared some years after his death in The Children’s Friend celebrated his efforts in later life to address drunkenness among British soldiers through personal visits to barracks and the distribution of tracts by mail. “He invited soldiers to regard him as their friend, and consult him when needing advice.” He also provided Bibles to French soldiers who fought in the Crimean War.
In retirement, he was a Lecturer at St. John’s Church

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, Newport, Isle of Wight. In this church there is a marble monument to his memory, with the inscription: “Erected by the Non-commissioned Officers and Privates of the British Army in token of their love and gratitude.” It depicts a weeping soldier reading his Bible. There is also a memorial to him at Holy Trinity Church, Casterton, where he is buried.
Carus Wilson was one of ten children

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, born to evangelical parents. His brother Edward (1795–1860) was also a churchman. In 1815 he married Anne Neville (who died a month before him), the daughter of Major-General Charles Neville. He had seven sons and six daughters; twelve of these thirteen are recorded as surviving into adulthood.

French orthography

Phonological history
French orthography encompasses the spelling and punctuation of the French language. It is based on a combination of phonemic and historical principles. The spelling of words is largely based on the pronunciation of Old French c. 1100–1200 CE and has stayed more or less the same since then, despite enormous changes to the pronunciation of the language in the intervening years. This has resulted in a complicated relationship between spelling and sound, especially for vowels, a multitude of silent letters, and a large number of homophones (e.g., saint/sein/sain/seing/ceins/ceint, sang/sans/cent). Later attempts to respell some words in accordance with their Latin etymologies further increased the number of silent letters (e.g., temps vs. older tens – compare English “tense”, which reflects the original spelling – and vingt vs. older vint). Nevertheless, there are rules governing French orthography which allow for a reasonable degree of accuracy when producing French words from their written forms. The reverse operation, producing written forms from a pronunciation, fails with a higher frequency.

The French alphabet is based on the 26 letters of the Latin alphabet, uppercase and lowercase, with five diacritics and two orthographic ligatures.
The letters ⟨w⟩ and ⟨k⟩ are rarely used except in loan words or regional words. The phoneme /w/ sound is usually written ⟨ou⟩; the /k/ sound is usually written ⟨c⟩ anywhere but before ⟨e, i⟩, ⟨qu⟩ before ⟨e, i⟩, and ⟨que⟩ at the ends of words. However, ⟨k⟩ is common in the metric prefix kilo- (originally from Greek χίλια khilia “a thousand”): kilogramme, kilomètre, kilowatt, kilohertz, etc.
The usual diacritic marks are the acute (⟨´⟩, accent aigu), the grave (⟨`⟩, accent grave), the circumflex ( ⟨ˆ⟩, accent circonflexe), the diaeresis (⟨¨⟩, tréma), and the cedilla (⟨¸⟩, cédille). Diacritics have no impact on the primary alphabetical order.
The tilde diacritical mark ( ˜ ) above n is occasionally used in French for words and names of Spanish origin that have been incorporated into the language (e.g., cañon

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, El Niño). Like the other diacritics, the tilde has no impact on the primary alphabetical order

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Diacritics are often omitted on capital letters, mainly for technical reasons. It is widely believed that they are not required; however both the Académie française and the Office québécois de la langue française reject this usage and confirm that “in French, the accent has full orthographic value”, except for acronyms but not for abbreviations (e.g., CEE, ALENA, but É

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.-U.). Nevertheless, diacritics are often ignored in word games, including crosswords, Scrabble, and Des chiffres et des lettres.
The two ligatures œ and æ, have orthographic value. For determining alphabetical order, these ligatures are treated like the sequences oe and ae.
(French: o, e dans l’o or o, e collés/liés) This ligature is a mandatory contraction of ⟨oe⟩ in certain words. Some of these are native French words, with the pronunciation /œ/ or /ø/, e.g., sœur “sister” /sœʁ/, œuvre “work (of art)” /œvʁ/. Note that it usually appears in the combination œu; œil “eye” is an exception. Many of these words were originally written with the digraph eu; the o in the ligature represents a sometimes artificial attempt to imitate the Latin spelling: Latin bovem > Old French buef/beuf > Modern French bœuf.
Œ is also used in words of Greek origin, as the Latin rendering of the Greek diphthong οι, e.g., cœlacanthe “coelacanth”. These words used to be pronounced with the vowel /e/, but in recent years a spelling pronunciation with /ø/ has taken hold, e.g., œsophage /ezɔfaʒ/ or /øzɔfaʒ/, Œdipe /edip/ or /ødip/ etc. The pronunciation with /e/ is often seen to be more correct.
When œ is found after the letter c, the c can be pronounced /k/ in some cases (cœur), or /s/ in others (cœlacanthe).
The ligature œ is not used when both letters contribute different sounds. For example, when ⟨o⟩ is part of a prefix (coexister), or when ⟨e⟩ is part of a suffix (minoen), or in the word moelle and its derivatives.
(French: a, e dans l’a or a, e collés/liés) This ligature is rare, appearing only in some words of Latin and Greek origin like tænia, ex æquo, cæcum, æthyse (as named dog’s parsley). It generally represents the vowel /e/, like ⟨é⟩.
The sequence ⟨ae⟩ appears in loanwords where both sounds are heard, as in maestro and paella.
French digraphs and trigraphs have both historical and phonological origins. In the first case, it is a vestige of the spelling in the word’s original language (usually Latin or Greek) maintained in modern French, for example, the use of ⟨ph⟩ in words like téléphone, ⟨th⟩ in words like théorème, or ⟨ch⟩ in chaotique. In the second case, a digraph is due to an archaic pronunciation, such as ⟨eu⟩, ⟨au⟩, ⟨oi⟩, ⟨ai⟩, and ⟨œu⟩, or is merely a convenient way to expand the twenty-six-letter alphabet to cover all relevant phonemes, as in ⟨ch⟩, ⟨on⟩, ⟨an⟩, ⟨ou⟩, ⟨un⟩, and ⟨in⟩. Some cases are a mixture of these or are used for purely pragmatic reasons, such as ⟨ge⟩ for /ʒ/ in il mangeait (‘he ate’), where the ⟨e⟩ serves to indicate a “soft” ⟨g⟩ inherent in the verb’s root.
The spelling of French words of Greek origin is complicated by a number of digraphs which originated in the Latin transcriptions. The digraphs ⟨ph⟩, ⟨th⟩, and ⟨ch⟩ normally represent /f/, /t/, and /k/ in Greek loanwords, respectively; and the ligatures ⟨æ⟩ and ⟨œ⟩ in Greek loanwords represent the same vowel as ⟨é⟩ (/e/). Further, many words in the international scientific vocabulary were constructed in French from Greek roots and have kept their digraphs (e.g., stratosphère, photographie).
The Oaths of Strasbourg from 842 is the earliest text written in the early form of French called Romance or Gallo-Romance.
The Celtic vernaculars of the inhabitants of Gaul disappeared progressively over the course of the Roman conquest as the Latin languages began to replace them: written (Classic) Latin and spoken (vulgar) Latin. Classic Latin, taught in schools, remained the language of religious services, of scientific works, of legislative acts and of certain literary works. Vulgar Latin, spoken by the Roman soldiers and merchants, and adopted by the natives, evolved slowly, taking the forms of different spoken Roman vernaculars according to the region of the country. These vernaculars divided into two branches in the Gallo-Romance language family, langue d’oïl north of the Loire River, langue d’oc in the south.
In the 9th century, the Romance vernaculars were already quite far from Latin. For example, to understand the Bible, written in Latin, footnotes were necessary. With consolidation of the royal powers, beginning in the 13th century, the Francien vernacular, in usage then on the Île-de-France, brought it little by little to the other languages and evolved toward Classic French

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The languages found in the manuscripts dating from the 9th century to the 13th century form what is known as Old French or ancien français. These languages continued to evolve until, in the 14th century to the 16th century, Middle French (moyen français) emerged.
During the Middle French period (c. 1300–1600), modern spelling practices were largely established. This happened especially during the 16th century, under the influence of printers. The overall trend was towards continuity with Old French spelling, although some changes were made under the influence of changed pronunciation habits; for example, the Old French distinction between the diphthongs eu and ue was eliminated in favor of consistent eu,[a] as both diphthongs had come to be pronounced /ø/ or /œ/ (depending on the surrounding sounds). However, many other distinctions that had become equally superfluous were maintained, e.g. between s and soft c or between ai and ei. It is likely that etymology was the guiding factor here: the distinction between s/c and ai/ei reflects corresponding distinctions in the spelling of the underlying Latin words, whereas no such distinction exists in the case of eu/ue.
This period also saw the development of some explicitly etymological spellings, e.g. temps “time”, vingt “twenty” and poids “weight” (note that in many cases, the etymologizing was sloppy or occasionally completely incorrect. For example, vingt reflects Latin VIGINTI, with the g in wrong place

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, and poids actually reflects Latin PENSUM, with no d at all; the spelling poids is due to an incorrect derivation from Latin PONDUS). The trend towards etymologizing sometimes produced absurd (and generally rejected) spellings such as sçapvoir for normal savoir “to know”, which attempted to combine Latin SAPERE “to be wise” (the correct origin of savoir) with SCIRE “to know”.
Modern French spelling was codified in the late 17th century by the Académie française, based largely on previously established spelling conventions. Some reforms have occurred since then, but most have been fairly minor. The most significant changes have been:
In October 1989, Michel Rocard, then-Prime Minister of France, established the Superior Council of the French Language (Conseil supérieur de la langue française) in Paris. He designated experts – among them linguists, representatives of the Académie française and lexicographers – to propose standardizing several points, a few of those points being:
Quickly, the experts set to work. Their conclusions were submitted to Belgian and Québécois linguistic political organizations. They were likewise submitted to the Académie française, which endorsed them unanimously, saying:
Current orthography remains that of usage, and the “recommendations” of the High Council of the French language only enter into play with words that may be written in a different manner without being considered as incorrect or as faults.
The changes were published in the Official Journal of the French Republic (Journal officiel de la République française) in December 1990.

NECA Project

The NECA Project (Net Environment for Embodied Emotional Conversational Agents) was a research project that focused on multimodal communication with animated agents in a virtual world. NECA was funded by the European Commission from 1998–2002 and the research results were published up to 2005.
The project focused on communication between animated agents in a virtual world, using characters that exhibit realistic personality traits and natural looking behavior that reflects the emotional features of conversations. The project goal was to combine different research efforts such as situation-based natural language and speech generation, representation of non-verbal expression

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The underlying research direction of the NECA Project was the development of a computing platform in which animated characters within a virtual world could be capable of realistic behavior. For character interactions to look natural, various factors such the proxemics of the distance between their bodies as they interact, to the kinesics of body language at the individual level, and the level of eye contact between individuals, as well as the paralinguistics of tone and intonation of sentences had to be considered.
Based on that the there were three main goals for NECA. The first goal was the general development of a platform that allowed the simulation and interaction of conversational characters.
The second goal was the design of a multi-user web-application called the Socialite, that allowed social “face to face” emotion-based interactions between animated agents on the internet. The Socialite user could select a set of avatars to interact with and after learning about the user’s personal preferences, the avatars helped the user navigate a virtual world and get in touch with other agents and users.
The third component was eShowRoom as an e-commerce platform demonstration that allowed for the display of products in the commercial domain. In the eShowRoom application, two or three virtual agents could be seen discussing various features of a product among themselves in a natural setting.
One of NECA’s designs was the Rich Representation Language, specifically designed to facilitate the interaction of two or more animated agents. RRL influenced the design of other languages such as the Player Markup Language which extended parts of the design of RRL.
The design of RRL aimed to automatically generate much of the facial animation as well as the skeletal animation based on the content of the conversations. Due to the interdependence of nonverbal communication components such as facial features on the spoken words, no animation is possible in the language without considering the context of the scene in which the animation takes place – e

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Voices United

Voices United (VU)

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, the Hymn and Worship book of the United Church of Canada, is a Christian music resource. Voices United was produced in conjunction with the Hymn and Worship Resource Committee, and was edited by John Ambrose. It was published in 1996.
The main pew edition of Voices United includes full words and music to more than 700 hymns by Canadian and international writers, as well as responses

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, psalms, scripture songs, canticles, prayers, communion settings, service music, creeds, and John Wesley’s “Directions for Singing

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.” There is also a words-only edition, a music director’s edition with annotations, and electronic versions.
VU is the third hymnbook produced by the United Church, following the 1930 Hymnary and the 1972 Hymn Book (the latter created jointly with the Anglican Church in Canada). It includes hymns from the 1972 book, as well as some that were included in 1930 and dropped in 1972 but never abandoned by congregations.
Many of the older hymns have been edited line by line and sometimes word by word

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, to make their language more comprehensible to modern worshippers and more applicable to the Canadian context, and to remove language that would suggest that God is male or that all of humanity is male. The expression “Lord”, for example, is rare in VU hymns, although it can be found, and there are also hymns that envision God in female terms. Only a few long-established hymns, those that have been in use since the 19th century, retain the archaic “thou” and “thee” and “hast” of traditional hymnody

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. The hymnal does not acknowledge or otherwise annotate edits to the original versions.