Germane

Hydrure de germanium

Le germane, ou tétrahydrure de germanium, est le composé chimique de formule GeH4. C’est l’hydrure le plus simple du germanium, et l’analogue du silane SiH4 pour le silicium ou du méthane CH4 pour le carbone maillots de foot vente. La molécule GeH4 a une géométrie tétraédrique, comme les molécules SiH4 et CH4.

Le germane est la forme industriellement la plus utile du germanium, de sorte que de nombreuses méthodes de préparation industrielle ont été élaborées pour en produire. On peut les ranger en trois catégories :
La réduction chimique consiste à faire réagir des composés contenant du germanium (par exemple du germanium élémentaire, du tétrachlorure de germanium GeCl4 ou du dioxyde de germanium) GeO2 avec un agent réducteur tel que NaBH4, KBH4, LiBH4

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, NaAlH4, LiH, NaH ou MgH2. La réaction peut avoir lieu aussi bien dans un solvant organique qu’en solution aqueuse. En laboratoire, le germane peut s’obtenir en faisant réagir des composés au Ge(IV) avec des hydrures, par exemple :
La réduction électrochimique consiste à appliquer une tension entre d’une part une cathode de germanium métallique immergée dans un électrolyte aqueux et d’autre part une anode en molybdène ou en cadmium. Dans ce dispositif, le germane et l’hydrogène se forment à l’anode tandis que l’anode se couvre d’oxyde de molybdène ou de cadmium selon le cas.
La synthèse au plasma consiste à bombarder du germanium métallique avec des atomes d’hydrogène produits à partir d’une source plasma haute fréquence afin de produire du germane et du digermane.
Dans l’ammoniac liquide, GeH4 s’ionise avec NH3 pour former GeH3- et NH4+ karen millen france. Toujours dans l’ammoniac liquide, GeH4 réagit avec les métaux alcalins pour former des composés cristallins blancs de type MGeH3 (où M représente Li, Na, K sac lancel, Rb et Cs). Les cristaux de KGeH3 et RbGeH3 ont la même structure que le chlorure de sodium, indiquant que les anions GeH3- y ont une rotation libre, contrairement au cristal CsGeH3, qui a la structure distordue de l’iodure de thallium.

Robert Bunsen

Robert Wilhelm Eberhard Bunsen (30 March 1811[N1] – 16 August 1899) was a German chemist. He investigated emission spectra of heated elements, and discovered caesium (in 1860) and rubidium (in 1861) with the physicist Gustav Kirchhoff. Bunsen developed several gas-analytical methods, was a pioneer in photochemistry, and did early work in the field of organoarsenic chemistry. With his laboratory assistant, Peter Desaga, he developed the Bunsen burner, an improvement on the laboratory burners then in use. The Bunsen–Kirchhoff Award for spectroscopy is named after Bunsen and Kirchhoff.

Robert Bunsen was born at Göttingen in 1811 jordans shoes wholesale, in what is now the state of Lower Saxony in Germany. Bunsen was the youngest of four sons of the University of Göttingen’s chief librarian and professor of modern philology, Christian Bunsen (1770–1837). Sources disagree on Robert Bunsen’s exact birth date. His parish register, as well as two curricula vitae handwritten by Bunsen himself, support the claim that 30 March 1811 is Bunsen’s true birth date; however, many later sources cite 31 March as the date. According to his biographer Georg Lockemann, Bunsen himself celebrated his birthday on the 31st in his later years Rose Red toothpaste dispenser. Lockemann nevertheless regarded the 30th as the correct date.
After attending school in Holzminden, Bunsen matriculated at Göttingen in 1828 and studied chemistry with Friedrich Stromeyer as well as mineralogy with Johann Friedrich Ludwig Hausmann and mathematics with Carl Friedrich Gauss. After obtaining a PhD in 1831, Bunsen spent 1832 and 1833 traveling in Germany, France, and Austria; Friedlieb Runge (who discovered aniline and in 1819 isolated caffeine), Justus von Liebig in Giessen, and Eilhard Mitscherlich in Bonn were among the many scientists he met on his journeys.
In 1833 Bunsen became a lecturer at Göttingen and began experimental studies of the (in)solubility of metal salts of arsenous acid. His discovery of the use of iron oxide hydrate as a precipitating agent is still today the most effective antidote against arsenic poisoning. This interdisciplinary research was carried on and published in conjunction with the physician Arnold Adolph Berthold. In 1836, Bunsen succeeded Friedrich Wöhler at the Polytechnic School of Kassel. Bunsen taught there for three years, and then accepted an associate professorship at the University of Marburg, where he continued his studies on cacodyl derivatives. He was promoted to full professorship in 1841.
Bunsen’s work brought him quick and wide acclaim, partly because cacodyl, which is extremely toxic and undergoes spontaneous combustion in dry air, is so difficult to work with. Bunsen almost died from arsenic poisoning, and an explosion with cacodyl cost him sight in his right eye. In 1841[citation needed], Bunsen created the Bunsen cell battery, using a carbon electrode instead of the expensive platinum electrode used in William Robert Grove’s electrochemical cell. Early in 1851 he accepted a professorship at the University of Breslau, where he taught for three semesters.[citation needed]
In late 1852 Bunsen became the successor of Leopold Gmelin at the University of Heidelberg. There he used electrolysis to produce pure metals, such as chromium, magnesium, aluminum

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, manganese, sodium, barium, calcium and lithium. A long collaboration with Henry Enfield Roscoe began in 1852, in which they studied the photochemical formation of hydrogen chloride from hydrogen and chlorine. From this work, the reciprocity law of Bunsen and Roscoe originated. He discontinued his work with Roscoe in 1859 and joined Gustav Kirchhoff to study emission spectra of heated elements, a research area called spectrum analysis. For this work, Bunsen and his laboratory assistant, Peter Desaga, had perfected a special gas burner by 1855, which was influenced by earlier models. The newer design of Bunsen and Desaga, which provided a very hot and clean flame, is now called simply the “Bunsen burner”.
There had been earlier studies of the characteristic colors of heated elements, but nothing systematic. In the summer of 1859, Kirchhoff suggested to Bunsen that he should try to form prismatic spectra of these colors. By October of that year the two scientists had invented an appropriate instrument, a prototype spectroscope. Using it, they were able to identify the characteristic spectra of sodium, lithium, and potassium. After numerous laborious purifications, Bunsen proved that highly pure samples gave unique spectra. In the course of this work, Bunsen detected previously unknown new blue spectral emission lines in samples of mineral water from Dürkheim. He guessed that these lines indicated the existence of an undiscovered chemical element. After careful distillation of forty tons of this water, in the spring of 1860 he was able to isolate 17 grams of a new element. He named the element “caesium”, after the Latin word for deep blue. The following year he discovered rubidium, by a similar process.[citation needed]
In 1860, Bunsen was elected a foreign member of the Royal Swedish Academy of Sciences.[citation needed]
In 1877, Robert Bunsen together with Gustav Robert Kirchhoff were the first recipients of the prestigious Davy Medal “for their researches & discoveries in spectrum analysis”.
Bunsen was one of the most universally admired scientists of his generation. He was a master teacher, devoted to his students, and they were equally devoted to him. At a time of vigorous and often caustic scientific debates, Bunsen always conducted himself as a perfect gentleman Cheap The Kooples, maintaining his distance from theoretical disputes. He much preferred to work quietly in his laboratory, continuing to enrich his science with useful discoveries. As a matter of principle he never took out a patent. He never married.
Despite his lack of pretension, Bunsen was a vivid “chemical character,” had a well-developed sense of humor, and is the subject of many amusing anecdotes.
When Bunsen retired at the age of 78, he shifted his work solely to geology and mineralogy, interests which he had pursued throughout his career. He died in Heidelberg at the age of 88.

Colin Morgan

Colin Morgan (born 1 January 1986) is a Northern Irish film, television, theatre and radio actor best known for playing the title character in the BBC fantasy series Merlin and main roles in Humans and The Fall; his stage role as Ariel in The Tempest; and film roles in Testament of Youth and Legend.
Morgan made his West End theatre debut in 2007 to critical acclaim as the title character in DBC Pierre’s Vernon God Little. He went on to appear in the London theatre productions Pedro Almodóvar’s Todo sobre mi madre (All About My Mother) in 2007, Thomas Babe’s A Prayer for My Daughter in 2008, Pedro Miguel Rozo’s Our Private Life in 2011, Step in Time at The Old Vic 24 Hour Musicals Celebrity Gala in 2012 mackage sale, Shakespeare’s The Tempest in 2013, and Jez Butterworth’s Mojo during 2013 and 2014.
In addition to his lead role in the fantasy-adventure television programme Merlin (2008–12), Morgan has appeared in The Catherine Tate Show (2007), Doctor Who (2008), Quirke (2014), The Fall (2014–present), and Humans (2015–present), the two latter shows he will reappear in, in 2016. He will also star in BBC One’s six-part Victorian era supernatural drama series The Living and the Dead (2016) as the gentleman farmer Nathan Appleby, the central character of the story. Film roles include Parked (2010), Island (2011), Testament of Youth (2015), Legend (2015), and The Laughing King (2016). He will be starring as the lead character Paul Ashton in Waiting for You (2016), a British coming-of-age feature set in France and England, as well as the Duke of Blackwood in the film The Huntsman: Winter’s War (2016). He will be portraying the central role of the Irish revolutionary mastermind Seán Mac Diarmada in the Easter Rising centenary commemoration film The Rising (2017).
For his performance in Merlin, Morgan received the 2008 Outstanding Newcomer award from Variety Club Showbiz Awards, and was nominated for Outstanding Actor (Drama) in the Monte Carlo TV Festival Awards in 2009, 2010, and 2011, the Best Actor award in Virgin Media TV Awards in 2012, and the prestigious Best Actor in Drama Performance: Male award in National Television Awards in 2013. In the same year, Morgan won Broadway World West End Awards’ Best Featured Actor in a New Production of a Play for his performance as Ariel in The Tempest.
In July 2008, Screen International named Morgan as a “Star of Tomorrow,” alongside actors like Carey Mulligan where he was “hailed as the most exciting drama-school graduate since Ben Whishaw.” In October 2013, he was ranked in the No. 1 spot in BuzzFeed’s “The 17 Rising British Actors Most Likely To Do A Cumberbatch.” In April 2014, Irish entertainment website The Daily Edge included Morgan in their list of “8 young Irish actors who could be on the brink of global stardom,” and in December 2014, The Independent listed him as one of their “Bright Young Things: 10 Faces to Watch in 2015.” In August 2015, Indiewire’s entertainment blog The Playlist included him in their list “On The Rise 2015: 20 Actors To Watch.”

Morgan was born in Armagh, Northern Ireland, the son of Bernard, a painter and decorator, and Bernadette, a nurse. He is the younger of two brothers; he and his brother Neil were raised Roman Catholic.
His childhood was spent in the long shadow of “The Troubles.” Childhood memories include being woken up in the middle of the night in order to evacuate the family home because there was a pipe bomb in the house next door, and having to go into school with a note for his teacher to explain why he hadn’t done his homework. The social repercussions of Northern Ireland’s problems impacted Morgan’s ability to pursue his love of theatre, as there were virtually no opportunities for a young person to nurture, let alone study, acting in the Province at that time. Fortunately, Morgan has said he “found a way to get involved in drama in any way I could. I joined the local amateur dramatic society, and I still have such fond memories of those times.”
His inclination to perform was evident from an early age — he was only five years old when he made his stage debut, appearing in the chorus in a production of Cinderella, and then Peter Pan, among other amateur stage productions during his childhood. While he attended Saints and Scholars Integrated Primary School, Morgan’s teacher Harry McGee became a tremendous inspiration to him; according to Morgan, “[McGee] would stay behind after class each day and he’d pull out a poem and he’d say, ‘Let’s work on this,’ and we’d just do it. He really believed in me and really fueled my passion. And that’s all it takes sometimes, I think, just one person to believe in you.”
McGee gave Morgan the encouragement he needed to attempt a career as a professional actor. In 1997, at the age of eleven, Morgan began studies at Integrated College Dungannon, winning the ‘Denis Rooney Associates Cup’ for best overall student in Year 10. The school described him as a keen musician and budding actor; his drama teacher James McCoy said that Morgan “participated wholeheartedly in every Drama class, concert and production that the college was showcasing.” Morgan starred in several college productions including the renowned Surgical Sensations at St Senapods and Bad Day at Black Frog Creek.
In September 2002, a 16-year-old Morgan auditioned alongside 100 other young performers at Belfast’s Waterfront Hall for the You’re A Star RTÉ One programme which was in search of star quality performers. The winner was to receive a record contract and also represent Ireland at the Eurovision Song Contest. He didn’t make it, but was quoted as saying, “It’s not the end of the world. I’m going to try and make it on stage one day.” Determined, he went on to study in Belfast despite family and friends’ worries because his chosen school was in a predominantly Protestant area that had recently had an incident of masked paramilitary men wanting to execute Roman Catholic students. For two years, Morgan commuted several hours every day between Armagh and Belfast because the latter was the closest city that had a college that offered drama as a subject. He was awarded a National Diploma in Performing Arts from the Belfast Institute of Further and Higher Education in 2004. After winning a spot at the prestigious Royal Conservatoire of Scotland in Glasgow, Morgan left Northern Ireland to hone his craft for an additional three years, graduating in 2007. In the final year of his undergraduate course, he was discovered by theatre director Rufus Norris and made the decision to leave three-quarters of the way through to make his professional London West End theatre debut as the title character in Vernon God Little. Morgan’s performance was critically acclaimed and used as assessment for his final grade.
In November 2010, the Belfast Metropolitan College (formerly the Belfast Institute of Further and Higher Education) honoured Morgan with an Award of Distinction for his contribution to the Arts.
Morgan made his professional stage debut in the West End as the titular character Vernon God Little in an adaptation of the dark comedy mounted at the Young Vic in 2007. For his turn as the troubled Texan teenager on the run from the police, The Telegraph proclaimed that Morgan “captures all the vulnerability, confusion and gallows humour of the adolescent hero who finds himself in no end of trouble.” The Stage said his performance was “[fu]ll of restless energy and youthful charisma from start to finish,” adding that “Morgan is an absolute delight and carries the weight of the production on his shoulders with ease and a certain swagger.” That same year, Morgan went on to play the role of Esteban, an aspiring teenage writer, in the Old Vic stage adaptation of Pedro Almodóvar’s Todo sobre mi madre (All About My Mother) opposite Dame Diana Rigg, Lesley Manville, and Mark Gatiss. For both of these roles, Morgan was nominated for the 2007 London Newcomer of the Year in the Whatsonstage.com Theatregoers’ Choice Awards.
In 2008, Morgan appeared in the Young Vic production of Thomas Babe’s A Prayer for My Daughter. For the role of Jimmy Rosario, a “waif-like and wasted” Latino murder suspect undergoing interrogation in a New York Police station, Morgan was required to appear nude. The Independent noted Morgan brought Jimmy to life through “twisting, twitching mood-swings and mix of half-druggy cackling punk and half-angelic visionary.” Variety also singled out his “remarkable level of twitchy intensity.”
In 2011, Morgan performed in the Royal Court Theatre production of Colombian dramaturg Pedro Miguel Rozo’s play Our Private Life to favourable reviews as Carlos, a “bipolar compulsive fantasist” homosexual who suspects he was molested by his father as a child. On 9 December 2012, Morgan performed the role of Gary, a flamboyant dance instructor trying to win the heart of one of his students, in Step in Time at The Old Vic 24 Hour Musicals Celebrity Gala in aid of The Old Vic Trust.
He played the fey spirit Ariel opposite Roger Allam’s Prospero in the 2013 Globe Theatre production of Shakespeare’s The Tempest, which was later broadcast to cinemas as part of Globe On Screen in May 2014, with a subsequent DVD release in July 2014. For this role, Morgan sought to imbue his portrayal of Ariel with both ethereal stillness and acrobatic precision that he learned from parkour trainer Chris Rowat. This approach garnered Morgan praise from reviewers: Peter Marks, a theatre critic for the Washington Post, asserted at the time that he “can’t remember a better Ariel,” and that Morgan’s portrayal was “mysterious, in a way I’ve never quite experienced before — also wonderfully vulnerable;” the Birmingham Post’s review of the play (screened live from Globe Theatre Malvern Festival Theatres) noted that “Colin Morgan’s Ariel is arguably the best to date. Morgan has an athlete’s build and the poise of a fine actor. Add to this a sense of restraint and otherworldliness and you can see why Prospero views him with a touch of unease.” Morgan won Best Featured Actor in a New Production of a Play in the 2013 Broadway World West End Awards for his performance.
From 2013 to 2014, Morgan appeared as Skinny Luke in Jez Butterworth’s dark comedy Mojo at the Harold Pinter Theatre. The ensemble cast included Brendan Coyle, Ben Whishaw, Rupert Grint and Daniel Mays. Mojo received favourable reviews and the London production was extended for two weeks, finishing on 8 February 2014. Radio Times described Morgan’s performance as “an accomplished study in human weakness Sandro Online. . . played with precision and pathos.” The Daily Express’s Simon Edge said that Morgan “does one of the best death scenes [he’d] ever seen.”
On 19 April 2015, Morgan appeared at the Old Vic Theatre alongside music and stage legends for an exclusive and highly anticipated one-night theatre event called A Gala in Honour of Kevin Spacey.
Morgan is set to star in a new production of Martin McDonagh’s The Pillowman. The play – which received the 2004 Olivier Award for Best New Play – takes place in a nameless totalitarian state and tells the story of a fiction writer who is interrogated about the gruesome content of his short stories, and their similarities to a number of bizarre child murders occurring in his town.
In television, Morgan first appeared in 2007 as embarrassed gay son John Leary in sketches on The Catherine Tate Show’s “Christmas Special.” In 2008, he portrayed the conflicted emo space boy Jethro Cane opposite David Tennant in the fan-favourite Doctor Who episode “Midnight.”
Morgan is best known for playing the title role in BBC TV series Merlin from 2008 to 2012, alongside a main cast including Bradley James, Katie McGrath, Angel Coulby, Richard Wilson, John Hurt, and Anthony Head. Merlin chronicles the adventures of a young warlock who serves as Arthur’s servant and Gaius’ ward; Merlin must secretly develop his magical gifts under the gaze of kings Uther and Arthur, both of whom despise the art.
The show was loosely based on the Arthurian legends of the young wizard Merlin and his relationship with King Arthur, but differed from traditional versions. It was broadcast on BBC One from 20 September 2008 to 24 December 2012, with a total run of 65 episodes. The series was also popular worldwide, broadcast in 183 countries, giving Morgan international stardom and shooting him to instant fame. For this role, Morgan was nominated for and won multiple acting awards, including the Caron Keating Outstanding Newcomer Award in the 56th annual Variety Club Showbiz Award ceremony on 16 November 2008 (at the start of the series) and the Best Actor in Drama Performance: Male award in the 2013 National Television Awards (at the conclusion of the series).
The role of Merlin proved difficult to cast, according to Merlin co-creator and executive producer Johnny Capps. “We had to find an actor who has a broad playing range, someone with the lightness of touch who will be able to deal with action and magic,” Capps said in a 2011 interview. “We were looking for all of those qualities or the potential of those qualities, and the other important thing for Merlin was likeability. If the audience didn’t like Merlin then we might as well go home. We had an instinct about Colin. At first we weren’t sure about him but then saw him again and again and we watched back his final auditions and said, ‘He’s perfect for the part.'” Before auditioning for the role, Morgan received the script for Prince Arthur by mistake. He only had five minutes before his audition to read over the correct part.
Merlin filmed eight months of the year, predominantly in Wales and France. In between filming, Morgan had various projects ranging from film, theatre, and documentaries for the series. He and co-star Bradley James travelled on an exploration of Arthurian legends for BBC Wales The Real Merlin & Arthur in 2009. That same year, he and the rest of the cast did a behind the scenes special titled Merlin: Secrets and Magic for BBC. In 2010, Morgan appeared with co-star Bradley James in Colin & Bradley’s Merlin Quest, which was produced to accompany Series 3 of Merlin. Both actors appeared in a weekly series of short (usually 2 to 4 minutes) online videos posted on the official site of Merlin. Additionally, Morgan has appeared in the 2008, 2009, and 2010 campaigns held in the United Kingdom to raise money for Children in Need, in short comedic sketches with the rest of the Merlin cast, entitled Merlin in Need.
After spending 2013 in back-to-back West End stage productions, Morgan reappeared on television as ambitious journalist Jimmy Minor in an episode of the 1950s Irish crime drama Quirke, based on the books by John Banville.
Later that year, he took on the role of Tom Anderson, a skillful Detective Sergeant with high career aspirations, alongside Gillian Anderson and Jamie Dornan in the second series of award-winning Northern Irish BBC Two and RTÉ One drama serial The Fall. Morgan was approached to play the role, meeting with writer Allan Cubitt and lead actress Gillian Anderson in London to discuss his involvement. To prepare for his performance, Morgan read up on police procedures and spoke to the set’s police advisor. He also did an impromptu interview of two police officers he saw in the street in London.
In June 2015, Morgan played mysterious fugitive Leo Elster in Humans

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, a British-American AMC/Channel 4 eight-part science fiction drama adapted from the successful Swedish series Real Humans. Humans is Channel 4’s highest-rated drama since 1992’s The Camomile Lawn. It has been described as having “universal appeal” and as being “one of 2015’s dramatic hits.” Critics praised the cast’s strong performances, including Morgan’s. Reviewer Paul Simpson described Morgan as one who “always rises to strong material, and [whose] performance has become increasingly engaging as the series has progressed.”
Morgan will appear with actress Charlotte Spencer in the BBC One Victorian era ghost hunter series The Living and the Dead as the central character Nathan Appleby, a gentleman farmer who is obsessed with the afterlife. Morgan and Spencer will play a West Country couple in 1894 who live in a haunted house plagued by poltergeists and other spectral gate-crashers. The six-hour drama, set in Somerset, England, was written by Ashley Pharoah and Matthew Graham, the team behind Life On Mars and Ashes To Ashes. Director Alice Troughton and the rest of the cast and crew filmed from August 2015 to January 2016.
He will reprise his role as Tom Anderson for The Fall’s Series 3, which started shooting in late November 2015, and will air in 2016. Furthermore, in 2016, Morgan will film the second series of the critically acclaimed series Humans, reappearing as Leo Elster.
Morgan portrayed the homeless drug-addict Cathal O’Regan opposite Colm Meaney in the award-winning 2010 independent Irish film Parked, for which he employed method acting, spending several weeks in Dublin in various locations such as the Aids Alliance to research drug addiction and homelessness. Morgan also took up smoking for a month prior to filming, and used a local Dublin accent. The film received several awards in various film festivals around the world, and Morgan’s performance was praised by multiple critics and director Darragh Byrne.
In 2011, Morgan appeared in the film Island, an independent adaptation of Jane Rogers’ novel of the same name.
Morgan next portrayed WWI British soldier Victor Richardson, a school friend of Vera Brittain’s brother Edward, in a BBC Films and Heyday Films feature adaptation of her first World War I memoir Testament of Youth. The film was made in commemoration of the 100th anniversary of World War I and included actors Alicia Vikander, Kit Harington, Emily Watson, Hayley Atwell, Dominic West and Miranda Richardson. To prepare for the role of the soldier rendered blind during his service, Morgan read Vera Brittain’s works, as well as personal letters exchanged between Vera, Victor, and their friends. He also contacted a Blind Veterans Charity in Brighton, which allowed him to interview someone who had lost their sight in the Second World War and someone who lost their sight more recently. He drew upon these two perspectives and simulated blindness himself using a blindfold and becoming a resident for several hours. The film was very favourably received, as was Morgan’s portrayal of Victor. British Film Institute’s brochure said, “Shining brightly and lingering long in the mind afterwards, are the performances of three rising British stars – Colin Morgan, Taron Egerton and Kit Harington – who do collective justice to the memory of the ordinary heroes they portray,” while Screen Relish said “Colin Morgan as Victor Richardson is the best of the boys, perfectly cast for his take-him-home-to-mother-him childlike face, which Morgan fantastically merges with the sweet but pitiable Victor, who hardens as the war worsens.” Rosie Alison, a producer at Heyday Films, referred to Morgan as “a brilliantly subtle, searching actor – and I was in tears even at his audition as Victor, when he returns from the Front blind. In his performance as Victor, who carries a candle for Vera, he offers a wonderfully poignant tenderness.”
Morgan was featured as Frankie Shea, brother-in-law and personal driver of Tom Hardy’s Reggie Kray, in the 1960s London gangster film Legend based on the book The Profession of Violence: The Rise and Fall of the Kray Twins by John Pearson. Legend premiered on 18 September 2015 in the UK and was released on 2 October 2015 in the US.
For two days in Blackpool, from 9 to 10 May 2015, Morgan filmed The Laughing King (2015), a short film by White No Sugar TV and Funky Films in support of the UK charity Campaign Against Living Miserably’s (CALM) push to raise awareness regarding depression, mental illness and male suicide. He played the role of Jake, a young man who arrives in Blackpool, the seaside town of his childhood, determined to end his life. It was released on 12 January 2016, in the London Short Film Festival.
Morgan is also listed to play the Duke of Blackwood, the lover of the villain Freya who is played by Emily Blunt, in the upcoming Snow White and the Huntsman spin-off, The Huntsman: Winter’s War, scheduled for release on 22 April 2016 in the USA.
He filmed Waiting for You from May to June 2015, co-starring with French actress Fanny Ardant. The story centres on Morgan’s Paul Ashton, who investigates his late father’s increasingly disturbing past and becomes suspicious of the mysterious, melancholic and probably dangerous Madeleine (Ardant). The filming consisted of five weeks in Languedoc-Roussillon, France, and one week in Ilford, England.
Morgan will next play the central role of Seán Mac Diarmada (also known as Seán MacDermott), an Irish revolutionary and mastermind of the bloody 1916 Irish Easter Rising, in the centennial commemoration biopic film The Rising, written and produced by Kevin McCann. The film is anticipated to start filming in Ireland and Estonia in late 2016 into 2017.
Morgan took part in BBC Radio play Cry Babies by Kim Newman on BBC Radio 4 in March 2009, playing the part of Roger. In December 2014, he starred as Newton Pulsifer in the first audio dramatisation of the popular book Good Omens, written by Neil Gaiman and Terry Pratchett, directed and adapted by Dirk Maggs, and produced by Heather Larmour, also on BBC Radio 4.
For the 100th anniversary of the Titanic’s sinking on 14 April 2012, Morgan performed readings from survivor accounts and testimonials during Titanic: A Commemoration in Music and Film, broadcast live on BBC2 from Belfast’s Waterfront Hall.
On 27 August 2014, Morgan narrated Big Mountain Productions’ Addicts Symphony on Channel 4. The one-off documentary followed composer, musician and recovering alcoholic James McConnel as he brought together ten classical musicians whose lives had been blighted by addiction for a spectacular concert.
Morgan voiced Merlin’s game sequences in 2012’s Merlin: The Game.
Morgan has stated about celebrity culture:
If I could change anything about the entertainment industry it would be the ‘celebrity culture.’ Something has been lost somewhere along the way with the craft of story-telling and I agree with Paul Newman when he said something along the lines of “people don’t shoot movies now, they shoot schedules, they shoot budgets.” There are of course exceptions but when the creativity is overshadowed by ‘the business,’ I often feel disappointed by that. We have some amazing filmmakers who are keeping the spirit of the craft alive and that’s a hub of excitement I want to be in.
Morgan is a vegetarian, citing allergies and lactose intolerance, and has advocated ethical consumerism. He practises yoga, and has expressed his enthusiasm for it in interviews. “Yoga is phenomenal. I like the breathing, and the focus that it brings. But I can be quite energetic if I’m doing a play. You will often find me running along the corridors to let off steam.” He has noted admiration for Terry Pratchett, David Attenborough, Tim Burton and Sam Mendes, as well as the band Death Cab for Cutie.
Morgan is an accomplished Bodhrán (Irish drum) player and has a BAF 1 Star Stage Combat Certificate. Apart from his native Northern Irish one, he has performed with RP English, Scottish, Dublin Irish, London Cockney, and American English accents.
Morgan does not participate in social media. He ventures online only to check emails or to shop. He has said, “There’s no social media or googling yourself. You only have to do it once to learn never to do it again.”
From October 2009 until its conclusion on March 2011, Morgan was an official ambassador for the A Night Less Ordinary scheme in which Arts Council England, in association with Metro, offered free theatre tickets to anyone under 26 years old. In 2010, he contributed several signed pictures to the 2010 Wamcare (Worldwide Association for ME/CFS Awareness and Research) charity auction, whose profits are destined for top quality biomedical research, including a large share to the Whittemore Peterson Institute and ME Research UK. He also donated his signature to StarCards (both individually and together with Bradley James) to support the 2010 Christmas auction, the funds of which were donated to the Great Ormond Street Hospital Children’s Charity. Additionally, he contributed a painting from the Merlin: Colin and Bradley Quest series to the 2010 BBC Children in Need official auction. It sold for £620.00.
On 9 April 2011, Morgan collected funds for the Great Ormond Street Hospital during the autograph signing session at the Kapow Comic Con Merlin panel in London. In 2012, he contributed a doodled and signed cotton handkerchief for the Celebrity Hanky Doodle Auction for the Silent Auction charity which benefit Godolphin and Latymer School. On 9 December 2012, he was a part of the 24 Hour Musicals at the Old Vic Theatre, an event that brought together more than 30 celebrated actors, directors, writers and composers to create four short musicals in just 24 hours. The process culminated in four world premieres presented to an audience of more than 1,000, and raised a remarkable £182,000.00 towards the work that the theatre does with emerging talent, schools and the community.
On 19 April 2015, Morgan was a part of A Gala in Honour of Kevin Spacey at the Old Vic Theatre. The evening raised funds for the Old Vic Endowment Fund, which Spacey founded with businessman Sir Michael Hintze to help secure the long-term future of the venue.
On 21 May 2015, Morgan gave his support to “Save the Arts,” which aimed to save 120 performing arts places that were planned to be axed in the very school that he attended at the age of 16 in Belfast Metropolitan College (formerly known as Belfast Institute of Further and Higher Education). These courses allowed young people particularly those from less wealthy backgrounds who have no support or finance to get to drama or dance schools beyond Northern Ireland shores access to the arts.
According to Change.org that supports “Save the Arts,” the message seemed to be this: “The message is very clear – we in the working classes don’t qualify for access to the Arts – you have to be Benedict Cumberbatch and a product of Harrow or Eddie Redmayne of Eton and get to posh Drama Schools to work in the arts – we need to know our place and train for the jobs we’ve always trained for – is that where the aspirations of our young people must lie?”
In his own words, Morgan said:
I was a student back in 2002 at (then) BIFHE on the Performing Arts Acting Course in Tower Street. I have now recently been contacted by many of my past colleagues informing me of the plans to cancel the performing arts course and I am completely appalled that this is the case. At the age of sixteen, a boy from Armagh, BIFHE was one of the very few options I had of being able to pursue my passion and ambition to act. Without that course I would have been lost and forced to choose subjects in a local technical college that I had no interest in doing and things could have taken a very different turn for my future.
As it happens, BIFHE was there for me and offered me the opportunity to hone and develop my desire to act, study the craft that acting has the potential to be, learn from my peers and have the opportunity to perform in a safe environment, to gain a qualification and enabled me to then progress on the study at the Royal Scottish Academy of Music and Drama and I have been working consistently in the profession now for nearly eight years and I credit BIFHE as being a vital step in where I am now.
The impact of cancelling this course will have a detrimental effect to all those young people, like me, who are trying to make a future and a career out of performance. What message is being sent here by cancelling the course? To me it’s a clear message of dismissal to the talent that exists in our country, it’s a denial of development, it’s an ignorance to the possibility of aspiration in the business and it’s a failure to support a vital and thriving industry which Northern Ireland is now benefitting from.
It’s hard enough to try and make it as an actor from Northern Ireland as it is. I was forced to leave the country after studying at BIFHE because the opportunity to study at drama school wasn’t available at home. The knowledge that the opportunity to enable young people to even apply (and have the ability and confidence to apply) to drama school is now being cut off just seems ludicrous. Are we saying that it’s ok for major filming projects to come and film in Northern Ireland but our young people here aren’t worthy to be trained to be a part of it?
What are our options? How can we prevent this from happening? And if our message and our voice isn’t being heard on this, then I think the message becomes even clearer: acting and performance is not being treated as a serious career option for people in Northern Ireland. And I, and many other Northern Irish actors working professionally today, are here to say that it is achievable but we need all the help we can get.
Also in May 2015, Morgan filmed The Laughing King (2015), a short film by White No Sugar TV and Funky Films in support of the UK charity Campaign Against Living Miserably’s (CALM) push to raise awareness regarding depression, mental illness and male suicide. To support this cause, he rendered his acting services for free to create the film.
In 2011, Morgan was immortalised as the wax sculpture of his iconic character Merlin. At Warwick Castle, an attraction has been created entitled Merlin: The Dragon Tower, in which visitors are “transported to the heart of Camelot to discover the secrets that are hidden deep inside the Tower before [their] ultimate encounter with the Great Dragon himself.” People can meet Merlin (from the BBC TV Series Merlin) himself – or at least a true-to-life wax model, which was created with over 300 measurements and a catalogue of reference shots of Morgan.
Morgan said of his wax work: “Little did I think that when I visited Madame Tussauds as a kid that I would have the honour of having the same fantastic team making a wax figure of myself. It’s truly amazing and I can’t praise their hard work enough in creating such a brilliant life-like me.” The wax model cost £150,000

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.00 and the entire castle experience is a £3 million investment by the Merlin Entertainment Group to promote the show.
In 2012, Morgan was the subject of a photography by Scottish photographer K.K. Dundas, presented by the Royal Conservatoire of Scotland as part of the school’s sixtieth anniversary. It is also a part of the National Galleries of Scotland.
Vernon Little in Vernon God Little Esteban in All About My Mother

Chicago City Hall

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L’Hôtel de ville de Chicago (en anglais: Chicago City Hall) est le siège officiel du gouvernement de la ville de Chicago, la troisième ville des États-Unis dans l’État de l’Illinois.
Adjacent aux Richard J. Daley Center et James R. Thompson Center, l’Hôtel de Ville abrite les bureaux du maire, du greffier municipal, du trésorier de ville maillots de football 2016, et de certains services municipaux (Departments) de la ville. Les chambres du conseil municipal de Chicago se trouvent sur le côté ouest du bâtiment. Le côté Est du bâtiment (appelé County Building) est consacré aux différents bureaux du gouvernement du comté de Cook.
Situé sur un îlot délimité par les rues de Randolph 2016 Collection Sandro Femme, LaSalle, Washington, et Clark, les 11 étages, la structure a été conçue par les architectes Holabird and Root de style Renaissance. Le bâtiment a été officiellement consacré Chicago Landmark le 27 février 1911 par la commission de la ville.
L’entrée de l’Hôtel de Ville de Chicago dispose de quatre panneaux en relief sculptés dans le granit par John Flanagan. Chacun des panneaux représente l’une des quatre principales préoccupations du gouvernement de la ville: terrains de jeux, écoles, parcs, et l’approvisionnement en eau. Quand les visiteurs pénètrent dans le bâtiment, ils sont accueillis par des escaliers en marbre élaboré et des tablettes de bronze honorant les administrations passées de Chicago de 1837 à nos jours.
En 2001

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, selon la volonté de Richard M. Daley robe sandro, maire de la ville de 1989 à 2011, l’hôtel de ville de Chicago est doté d’un toit vert.
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Le Samouraï

Alain Delon, François Périer, Nathalie Delon, Cathy Rosier
Pour plus de détails bogner ski, voir Fiche technique et Distribution
Le Samouraï est un film noir franco-italien réalisé par Jean-Pierre Melville, sorti en 1967, tiré du roman de The Ronin Goan McLeod.

L’histoire du film est celle d’un tueur solitaire, Jef Costello, et de sa lutte silencieuse pour survivre.
Jef Costello est chargé de tuer le patron d’une boîte de jazz, ce qu’il fait au début du film

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. En sortant du bureau où gît le cadavre de sa victime, il croise la pianiste du club, Valérie. Malgré un alibi très bien conçu, il est suspecté par le commissaire chargé de l’enquête ; pourtant, la pianiste nie le reconnaître, lui permettant d’être relâché. Jef ne comprend pas pourquoi elle a agi ainsi

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Il se rend ensuite au point de rendez-vous convenu avec son employeur pour récupérer l’argent du contrat lancel sac à main. Un homme blond, qui fait office d’intermédiaire, tente de le tuer mais ne l’atteint qu’au bras. Il rentre chez lui et se soigne. Il doit maintenant remonter à la source pour trouver ceux qui ont cherché à le tuer, tout en échappant à la surveillance policière.
En rentrant chez lui, il est accueilli revolver au poing par l’homme qui l’avait blessé auparavant. Celui-ci n’a pourtant pas d’intention meurtrière : il lui règle le solde dû pour l’assassinat de Martey et le paie, en totalité cette fois-ci, pour une nouvelle mission. Par son calme et son sang-froid, Costello parvient à le pousser à ranger son arme : il lui saute alors dessus, le maîtrise et lui fait dire qui l’envoie, et où le trouver.
En sortant, il est suivi par la police dans le métro, mais parvient finalement à déjouer leur traque.
L’adresse correspond à l’endroit où vit la pianiste. Elle n’y est pas, mais il y retrouve néanmoins celui qu’il cherchait, son commanditaire, qu’il assassine. Il retourne ensuite dans la boîte de nuit, sort son revolver et le pointe sur la pianiste : elle est la nouvelle cible. La police l’attendait et l’abat sur place, avant de découvrir que son revolver n’était pas chargé.
Le film a été tourné du 19 juin au 5 août 1967.

National Organization of Life and Health Insurance Guaranty Associations

The National Organization of Life and Health Insurance Guaranty Associations (often abbreviated NOLHGA) is a voluntary, U.S. association made up of the life and health insurance guaranty associations of all 50 states and the District of Columbia. NOLHGA was founded in 1983 to coordinate the efforts of state guaranty associations to provide protection to policyholders when their multi-state life or health insurance company becomes insolvent. The organization is based in Herndon, Virginia.

When an insurance company reports to its state insurance regulator that it is in financial trouble, the state will first attempt to assist the company back toward financial stability. If the state insurance department determines the company cannot be saved, then the insurance commissioner asks the state court to order the liquidation of the company. Once the order to liquidate a company that operates in multiple states is handed down, NOLHGA, on behalf of affected member state guaranty associations, assembles a task force of affected guaranty associations to analyze the company’s commitments to policyholders. Each affected state guaranty association pays out claims to the insurance company’s policyholders in the state; in some instances, the associations arrange for policies to be transferred to a financially sound insurer. Each state guaranty association is governed by state law; most associations cover up to at least $300,000 for life insurance death benefits bogner polska, $100,000 in cash surrender value for life insurance, $250,000 in withdrawal and cash values for annuities, and $100,000 in health insurance policy benefits.
The National Organization of Life and Health Insurance Guaranty Associations has four main departments: administrative services, communications, insurance services, and legal.
The Administrative Services Department supports NOLHGA by providing services such as human resources, accounting, membership records, and general facilities management. The department also plans and coordinates the Annual Meeting and provides support services to other departments and to the NOLHGA Board of Directors.
The Communications Department develops the organization’s outreach efforts to its members, state insurance departments, receivers, insurance companies, and the media. In addition, the department provides communications assistance to individual state guaranty associations, the NOLHGA Board of Directors, and handles all media and public information inquiries.
The Insurance Services Department coordinates all insolvency task force activities bogner, including meetings and negotiations with receivers and assumption reinsurance companies concerning life and health insurers in rehabilitation or liquidation. This can include securing and managing legal, actuarial, and/or administrative services kurtki bogner; seeking bids and evaluating the financial soundness of potential reinsurers kurtki bogner; and determining the most cost-effective and efficient manner to continue policyholders’ coverage. Insurance Services also provides financial information on insolvencies to NOLHGA members.
The Legal Department provides legal counsel to insolvency task forces, committees, and the NOLHGA Board of Directors. The department collects and distributes legal information to member state guaranty associations and serves as an information resource for case laws. The department also coordinates the efforts of NOLHGA’s Legal Committee, which addresses issues pertaining to the insolvency process and develops strategies for related lawsuits.

Ingar Zach

Ingar Zach (born 29 June 1971 in Oslo ted baker online, Norway) is a Norwegian percussionist and businessman, known from several recordings.

In the 1990s Zach played within Chateau Neuf Spelemannslag and ‘Harnihomba’

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, while studying music at the University of Oslo (1993) and composition on Jazz program at Trondheim Musikkonsevatorium (1994–97). Within the trio ‘Tri-Dim’ (1997–2000) he released two albums together with Håkon Kornstad (saxophone) and David Stackenäs (guitar). With the steel guitarist Ivar Grydeland he established the record label Sofa, releasing improvisational music (2000), a collaboration that led to a master’s degree in improvisation (2004) and the trio Huntsville including with Tonny Kluften (five albums, 2013) bogner ski jackets.
Zach also collaborated in a duo with free jazz guitarist Derek Bailey (1930–2005) business casual dresses for women, the Norwegian ditto Anders Hana, within the Norwegian trio ‘No Spaghetti Edition’ (four releases), and in the two orchestras Batagraf and Magnetic North Orchestra led by Jon Balke. In addition Zach has played on releases by Karl Seglem and Carl Petter Opsahl. He lives in Madrid (2004),from where he runs the record label Sillòn of solo albums (subsidiary of Sofa, which is now headed by Grydeland).

Rocca Pia

Rocca Pia ist eine Gemeinde (comune) in der Provinz L’Aquila in der Region Abruzzen in Italien mit (Stand 31 fußball trikots 2016. Dezember 2013) 186 Einwohnern mcm taschen. Die Gemeinde liegt etwa 67 Kilometer südöstlich von L’Aquila am Nationalpark Majella und gehört zur Comunità Montana Alto Sangro e Altopiano delle Cinque Miglia

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Durch die Gemeinde führt die frühere Strada Statale 17 dell’Appennino Abruzzese e del Appulo Sannitico (heute eine Regionalstraße) von Antrodoco nach Foggia.
Bei Rocca Pia befindet sich ein Flugplatz für die Allgemeine Luftfahrt bottega veneta.
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Ezeolisa Allagoa

His Majesty Ambrose Ezeolisa Allagoa (1914-2003) was King of Nembe Kingdom from 1980 until his death. He is also by birth related to the Ossomari royal family through his grandmother Omu Okwei (the merchant queen of Onitsha). He succeeded his father His Royal Majesty Francis Ossomade Joseph Allagoa (Mingi X) Amanyanabo of Nembe in April 12, 1980, being styled His Royal Majesty Ambrose Ezeolisa Allagoa Mingi XI Amanyanabo of Nembe-Ibe Kingdom

His Royal Majesty Justice Ambrose Ezeolisa Allagoa MINGI XI was born on 24 August 1914 to the family of His Royal Majesty King Francis Ossomade Joseph Allagoa MINGI X and Madam Nwaokiri Rose Onyeka. He was the second son of his father. His father Francis Ossomade Joseph Allagoa (Amanyanabo of Nembe Kingdom, MINGI X) was the son of the rich influential merchant Queen – Okwei of Osomari Kingdom (in present-day Delta state) and Chief Joseph Alagoa, grandson of KingBoy Amain MINGI V Amanyanabo of Nembe Kingdom (in present-day Bayelsa State). His Majesty was educated at the Government School Owerri in 1927; the St. Mary’s Primary School Port Harcourt from 1927-1932 tory burch bags; a pioneer student of Christ the King College (CKC) Onitsha 1933-1936; He was recognized for his exemplary behavior and came off with the senior Cambridge certificate at the enviable age of 22 in 1936.
His Majesty Ambrose E. Allagoa joined the Lincoln’s Inn in November 1944 and was subsequently called to the English bar on 26 January 1950.
After successfully being called to the English Bar in 1950, he returned to the city of Port Harcourt in the old eastern Region of Nigeria where the independence movement was growing business casual dresses. He served as Deputy Mayor of Port Harcourt Municipal Council between 1951 and 1959. In 1959, He was elected as the 2nd Mayor of Port Harcourt Municipal Council taking over from Mayor Richard Okwosha Nzimiro in 1959. He served in this capacity for three years, giving the city of Port Harcourt the name Garden City.
He served his tenure as mayor of Port Harcourt where he invited the Prime Minister of Nigeria Sir Alhaji Tafawa Balewa and the Premier of the Eastern Region, Chief Michael Okpara to the city of Port Harcourt.
Upon completion of his secondary school education at Christ the King College, Onitsha, young Ambrose successfully sat for and made distinctions in his senior Cambridge Certificate exam and was subsequently employed in the Civil Service of the then Eastern Region of Nigeria where he worked as a clerk in the judiciary of the Eastern Region government for a few years. He gained a lot of exposure and experience which were vital in his life. His working career took him to Lagos, Enugu and Port Harcourt where he served diligently as a clerk of court before proceeding to the Lincoln’s Inn for his qualification as a lawyer.
On his return from England as a lawyer, he commenced his legal practice, setting up his Law firm in the oil rich city of Port Harcourt, Nigeria. He had a successful career in the legal profession and this won him the respect and admiration of many lawyers. He was elevated to the bench as a High Court Judge in 1962 by the then Eastern Region of Nigeria Government where he served as a Judge of the Eastern Region in cities like Abakaliki, Nsukka, Ikot Ekpene, Umuahia, and Port Harcourt. So dignified and diligent was his service that in 1976, he was appointed the first indigenous Chief Judge of Old Rivers State in 1976. And the second Chief Judge of Rivers state. He retired three years later on the 24th day of September 1979 having attained the requisite retirement age of 65 years.
His Lordship (late) H.R.M. Justice Ambrose Ezeolisa Allagoa is mostly remembered for the celebrated judgment in the famous Amakiri v. Iwowari case where he exhibited rare courage in the award of damages in favor of the injured journalist Amakiri. Not minding the fact that the military government of Rivers State had deep interest in the case and its agents were the adversary in the case. His rare courage towards seeing that justice triumphed in the case was recognized and applauded all over the Nation.
His maternal great grandfather (King Atamanya- Nzedegwu of Ossomari) invited Roman Catholic priests into his Ossomari Kingdom and the young Ambrose growing up in Ossomari became an adherent catholic faithful. His Majesty Ambrose Ezeolisa Allagoa was a devout Catholic; he fully identified with the objectives of the Roman Catholic Church and was a worthy knight of the Roman Catholic Church.
According to an oration presented by The Order Of the Knights of Saint Mulumba, KSM, Port Harcourt in honor of His Majesty the King:
“We recall the crucial role he played as a Catholic in post-war Rivers state. At the end of the civil war, Catholics generally were haunted in Rivers state. In spite of this unwholesome phenomenon, he not only stood firm in the Catholic Church, but also participated and supported the persecuted clergy. He assisted the Catholic Church immensely in identifying and recovering some of her properties at the end of the war in Rivers state. His full participation during Corpus Christi procession, in spite of acute challenges of age, epitomized his commitment to the Catholic faith.”
His Majesty was among the founders of Order of the Knight of St. Mulumba in Owerri. As a Knight, he introduced the Order of the Knight of St. Mulumba Nigeria KSM in Rivers State in 1985, and eventually saw to its charter and subsequent inauguration on 26 September 1987 of the Port Harcourt Sub Council of the Order of the Catholic Institute of West Africa (CIWA) Port Harcourt.
It is on record that His Majesty also checked the bid by Protestants to marginalize the Catholics during the 1959 elections in the defunct Eastern Nigeria. His commitment and astuteness came to the fore and led to the appointment of six Catholics from Port Harcourt province as ministers in the Michael Okpara led cabinet. “As the first Grand Knight of the Knight of the Order of Saint Mulumba, Port Harcourt Sub Council, he piloted the affairs of the sub council admirably and with dignity.”
His Majesty sat on the throne for 23 years. He extended hands of friendship to all neighboring kingdoms around such as Ogbia, Kalabari Kingdom

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, Abua, Benin Kingdom to mention a few. Through His Majesty’s out stretched arms of friendship and networking, the Oba of Benin Oba Erediauwa made a historic visit to Nembe during His Majesty’s reign as Amanyanabo of Nembe. His Majesty fostered unity and cooperation among all who came across him. He also called on the Federal and state governments to work in peaceful cooperation to build the long proposed road to Nembe and through it to other parts of the area.
Upon the creation of Bayelsa state out of the old River state in 1996, he contributed immensely to the success of the newly created state. His Majesty was the Chairman of the Traditional Rulers Council both in Rivers State and in Bayelsa State where he moved to restore peace among the coastal communities.
Monarchical style of King Ambrose Allagoa Amanyanabo of Nembe, Mingi the 11th
His Majesty Justice Ambrose Allagoa loved the game of golf and he showed this by supporting the Golf Section of the Port Harcourt Club 1928

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. He was a very proud member of Rotary International. He travelled to various cities for International Conferences along with his wife. He was among the founders of Leonard Cheshire International in Nigeria owing to the fact that Sir Leonard Cheshire was his close friend. In line with the vision of Sir Leonard Cheshire, he established the Leonard Cheshire home for the physically challenged in the city of Port Harcourt.
His Majesty Justice Ambrose Allagoa had[quantify] children and lots[quantify] of grandchildren.

Championnat de Tunisie de football 1957-1958

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La saison 1957-1958 du Championnat de Tunisie de football était la 3e édition de la première division tunisienne à poule unique, la Ligue Professionnelle 1. Les 15 meilleurs clubs tunisiens jouent les uns contre les autres à deux reprises durant la saison herve leger paris, à domicile et à l’extérieur

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. En fin de saison

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, pour permettre le passage de la D1 de 15 à 14 clubs, les trois derniers du classement sont relégués et les deux premiers de Ligue Professionnelle 2 sont directement promus robe sandro.
Cette année, c’est le club de l’Étoile du Sahel qui termine en tête du championnat, en devançant de 3 points l’Espérance sportive de Tunis et de 6 points le tenant du titre, le Stade tunisien. Il s’agit du premier titre de champion de Tunisie de l’Étoile du Sahel.

Le barème de points servant à établir le classement se décompose ainsi :

Le titre est remporté conjointement par Habib Mougou et Boubaker Haddad. Ce dernier a réussi un exploit hors du commun en marquant 9 buts au cours d’un seul match
Un jury de journalistes du Petit Matin a élu les meilleurs joueurs par poste:
À l’occasion de son assemblée générale, la fédération tunisienne de football a publié les recettes des clubs au cours de la saison. Les plus grandes recettes en championnat sont:
L’Étoile du Sahel: